Top 5 Movie Fight Scenes
Catching the final showdown of a soon to be named action movie on TV a little while ago got me thinking about the best fight choreography to hit the big screen. The following debate with my sister made me realise that a blog post was in order, so here are my favourite movie punch ups.
Just so you know, I’m not counting full on battles here, more one on ones (or one on manys). Coming up with a top 5 was really tricky, and there are lots of great films that aren’t on the list (Die Hard, Fight Club, Spiderman, Star Wars…) so try not to get too angry if you’re favourite isn’t there. And please, remind me of the awesome punch ups I’m bound to have forgotten.
5. Daredevil
Maybe a controversial one here, since I seem to be pretty alone in liking this film, but I reckon that the first meeting between Matt and Elektra in the playground is a great movie moment. It’s a tie between that playground fight, and the showdown in the bar with some cocky criminals for best fight in the movie. What makes the latter so great is the point of view stuff, showing what Daredevil “sees” and making the fight a lot more interesting.
4. Bridget Jones’ Diary
It’s the ultimate anti-fight. Two posh public school boys try to knock the stuffing out of each other without getting their expensive suits dirty. Outcome? Definitely one of the best on screen fights ever. I think what makes it so good is the fact that it seems perfectly likely that if Hugh Grant and Colin Firth ever do get into a fight, this is exactly what it would look like. The best part is when they sing happy birthday.
3. X2: Wolverine’s Revenge
When I’ve watched Origins again, this may well get replaced by one of the Wolverine/Sabre fights, but when I first saw X2 and the set up starts for the battle between Wolverine and his female counterpart Lady Deathstrike I knew it was gonna be good. It’s a dual of the immortals and the fact that the pair are so evenly matched is what makes the fight so awesome. And the way he wins, you’ve gotta admit, is pretty inventive.
2. Equilibrium
Gun Kata. All hail the guy who came up with that one. It’s not quite Martial Arts, it’s not exactly a shoot out, it sure is awesome to watch! The whole film is filled with wicked fight moments, but I think for obvious reasons the ultimate fight sequence of the movie has got to be Preston’s final show down with “Father”. Damn that was good.
1. And the winner is….The Marix Trilogy
The film I was watching when this idea came to me was Matrix Revolutions, and despite the flaws in that film, I still think the so called “super-burly brawl” at the end is the best bit of fight choreography yet to be committed to celluloid. I mean, their punches stop the rain for god’s sake! The effort that went into the visuals of that scene is just staggering, the row upon row of Agent Smiths that appear even in the windows of the skyscrapers for example must have taken hours of post production. Of course, the focus on visuals rather than plot is probably what killed the two sequels, but you’ve got to hand it to the Wachowski brothers, they know how to stage a punch up. In Reloaded we have the (not quite as super) burly brawl where Neo and a metal pole take on the legions in yet another stunning combination of wire work, kung fu and bullet time. If you’re not into the sequels, the sequence which follows: “What do you need?” “Guns. Lots of guns,” in the original is just epic. And since it’s pretty clear that fights liked this spawned our number two spot, it gets extra credit.
I could go on about Matrix fight scenes for a long time. The thing about The Matrix is, the films changed our expectations of movie fights; with the invention of bullet time one of the major landmarks in visual effects history. Thanks to them, fight choreography isn’t just about one guy swinging at another, it’s an art form in itself. Which keeps action junkies like me very happy. 🙂
Honorable Mention:
“Come back and I’ll bite your legs off!” The Black Knight always triumphs.
Read Full Post | Make a Comment ( 28 so far )Marvel-ous!
*groan* I know, terrible title, but it’s Sunday.
As part of a weekly ritual with two good friends, I watched Iron Man last night. The latest offering in the Marvel comic-to-film cascade, its a pretty good film with some funny lines and a good plot, even if the Science behind that electromagnet is fatally flawed. Robert Downey Jr is great in the role, as sort of anti-hero come vigilante activist and Gwenyth Paltrow is also good. I’m always disappointed that she comes across as much nicer in films than she is in real life.
The special effects are also great, especially the aerial scenes, making me slightly re-think my Oscar prediction. It dawned on me last night that Iron Man is basically Marvel’s version of the DC Batman, making it all the more interesting that they’re up against eachother.
Although Iron Man is great, you’ll notice I’m not putting it in the films to see before you die category, mainly because I’m not going to force you to watch it as soon as I find out you haven’t. But I will strongly recommend it. I’m also really looking forward to The Avengers. With Samuel L Jackson as Nick Fury it’s got to be good, but unfortunately there’s a bit of a long wait.
When compared with the other Marvel films out there, Iron Man doesn’t quite come top but its close. I’d argue that the X-Men films (if we give some lee-way to the dodgier third installment) are the best, closely followed by Spiderman. After that, I think I’d put Iron Man on and equal footing with the Fantastic Four, if not slightly above. Bottom of the pile is Daredevil, a film which had the potential (and the casting) to be brilliant but somehow just didn’t make it. It’s about half an hour too short for anything to develop properly, which is disappointing since Daredevil is one of Stan Lee’s best creations.
I think the Marvel comic films are some of the best blockbusters out there, and defintiely what you need on a dreary night. I’m yet to see them all (Blade for example has passed me by) but I reckon they’re holding a pretty good standard so far, which in the sea of different directors, is a testemant to Lee’s characters.
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